A review of some
of the musical highlights of 2014. There’ve been many: recorded, live and commemorative and historical, and some invariably
originating in 2013. And there’ll be
more in the next show too.
1 The Bhundu Boys – Foolish Harp/Waerera (Cooking
Vinyl Records)
Album: Friends on the road
A collaboration
between Zimbabwe ’s the Bhundu Boys and Scottish harpist
Savourna Stevensen from 1993. Probably
my main reason for playing this is that the Bhundu Boys where a favourate of
the great British DJ John Peel who died 10 years ago this year – in fact this
appeared as part of one of John Peel’s legendary Festive Fifties. Found it on collection brought out by Uncut
some years ago.
2 Julie Fowlis – Puirt A Beul Set - Fodor Dha Na Gamhna Beaga (Fodder for the
small stirks) (Machair)
Album: Gach Sgeul: Every Story
Julie Fowlis
released an album in 2014 with some great goes at puirt a beul or mouth
music. Like a lot of Scottish trad songs
its about a specific farm animal, this time a yearling bullock or heifer.
3 The Gloaming – Song 44 (Real World)
Album: The Gloaming
The Gloaming came
up with a fantastic re-imagining of Irish music – improvy, textural with the
treated piano to the fore. The Gloaming is fiddle player Martin Hayes and guitarist Dennis Cahill (a magnificent duo I
hope you’re all heard) and hardanger fiddler Caoimhim O’ Raghllaigh,
pianist Thomas Barlett and singer Iarla O’Lionaird.
4 Mamani Keita – Djigihia (World
Village )
Album: Kanou
Mamani Keita
produced one of my favourite albums of 2014. After spending a good deal of her
career supplying backing vocals and spice to fusionist, electronic and jazz
settings with others at the helm, she’s now writing her own stuff and has some
players of serious pedigree and grit in her band – Rail Band guitarist Djeli
Moussa Kouyate and ngoni player Moriba Keita.
5 Tinariwen – Emajer (Pias)
Album: Emmaar
The Touareg group
has been making great albums for the last 13 years starting out in Libyan
refugee camp. Their latest, Emmaar, was
recorded in Joshua Tree in the Mojave Desert , and has quite a relaxed, natural sound. Nothing obviously incendiary or spiky, but very
pleasant all the same.
6 Adrian
Raso & Fanfare Ciocarlia – Swing Sagarese (Asphalt Tango)
Album: Devil’s Tale
Something more
obviously thrilling, although you might only be able to take this in limited
doses, is Toronto guitarist Adrian Raso’s collision of
French manouche and Romanian brass, in the form of Fanfare Ciocarlia.
7 Rob Heron and the Tea Pad Orchestra – Crazy
Country Fool (Tea Pad Recordings)
Talk about the weather
More gypsy swing,
this time cut with western swing and old time Americana courtesy of a band from Newcastle , in the UK . BTW
this bunch get quality assurance from Pokey LaFarge.
8 Russo Passapusso – Paraquedas (Mais Um Discos)
Album: Role: New Sounds of Brazil
Russo Passapusso is from
the Brazilian State
of Bahia and its capital city, Salvador , and this is his fantastic updating of the MPB
with added grit.
9 Rodrigo Amarante – Tardei (Mais Um Discos)
Album: Role: New Sounds of Brazil
Hardly surprising that
there’re a bunch of great Brazilian releases this year, I suppose. One of the best is a collection out on the
Mais Um Discos label called "Role: New Sounds of Brazil". The Russo Passapusso track was from that
collection, and so is this distinctly laid back and folky one. Rodrigo Amarante is from Rio .
10 Quantic – Muevelo Negro (feat Nidia Gongora) (Tru
Thoughts)
Album: Magnetica
DJ, producer and
musician Quantic aka Will Holland put out one of the grooviest albums of the
year – dance music for the well-listened, perhaps. It draws mainly on a cross section Colombian
music, but there are other sounds in there too – from the Caribbean and South America , Angola and even Ethiopia .
The singer and songwriter Nidia Gongora guests. She comes from
the jungle river areas of the Pacific coast of Columbia – Timbique, to be precise.
11 Felix Martinez y sus Chavales – La Gallina (Tiger’s
Milk Records)
Album: Peru
Maravilloso: Vintage Latin, Tropic and Cumbia
2014 was certainly
not bereft of collections exhuming vintage music from very localized
scenes. Tiger’s Milk Records Peruvian collection covered the rich hybrid scene in the 60s and
70s heavily spiked with psychedelia, As
one write-up I read puts it, La Gallina by Felix Martinez y sus Chavales is a “briskly bitter kiss-off
to an unfaithful woman”.
12 Aurelio – Nafagua (Real World)
Album: Landini
Aurelio Martinez,
who took over the mantle of champion and stalwart of Garifuna music and culture
from Andy Palacio, put out a new record in 2014. He says it draws more heavily on the
village based, traditional music of his mother’s generation, to whom the album
is dedicated.
13 Steve Tilston Trio – Courting is a pleasure (Hubris
Records)
Album: Happenstance
Martha Tilston put
out a great record of traditional English stuff in 2014, but instead of that, here’s something from a recent album her
father, Steve Tilston. (Steve actually
plays on Martha’s record which we'll sample in the next show). It’s a song that
the great traditional guitarist and singer, Nic Jones, used to play – and may
still play, aided by his son on guitar now.
And to labour things even more, we can also dedicate this song to the
traditional singer and flautist Maggie Boyle, who died in November 2014 – she
was also Steve Tilston’s wife and stepmother to Martha …
14 The Rails – William Taylor (Island )
Album: Fair Warning
Channeling the
sound and spirit of Richard and Linda Thompson, the Rails, daughter of Richard
and Linda, Kami Thompson, and her husband James Walbourne, put out fabulous
album, on Island Records’ specially revived pink label. This is a traditional song The Rails wrote.
15 Willy Mason – Pickup Truck (Fiction/Polydor)
Album: Carry On
2014 saw some
great concerts in Cape Town .
There was Cat Power and Willy Mason at the Baxter. Cat Power is way too chilled for this show. A fun fact about Willy Mason gleaned
from Wikipedia: he’s a direct descendant of the 19th-century philosopher William James, the
brother of novelist Henry James, on his mother’s side.
16 Vieux Farka Toure – Borei (Six Degrees)
Album: The Secret
A live high point of live music in Cape Town , was definitely Vieux Farka Toure’s scorching
blow out at Cape Town World Music Festival at the City Hall.
17 Derek Gripper – Bokoye (New Cape )
Album: One Night on Earth: Music from the strings of Mali
At the CTWMF, Vieux Farka
Toure’s slot was directly followed by an incredible show by Derek Gripper on
the City Hall’s rooftop tented stage in the middle of rain storm. Derek played his wonderful transcriptions of
kora music for classical 6 string guitar.
“Bokoye” was written by Ali Farka Toure, Vieux’s father.
18 Toumani & Sidiki Diabate – Bagadaji Sirifoula
(World Circuit)
Album: Toumani & Sidiki
One of Derek
Gripper’s his top musical heroes is Toumani Diabate, and it seems that in 2015
someone (actually Mats Hjelm) is making a documentary of Derek going to Mali to meet Diabate and
hopefully actually meeting him. Anyway,
Toumani and his son Sidiki, put out an album of kora duets in 2014. “Bagadaji Sirifoula” is a district in Bamako with the main market and Mosque in the
city. According to Toumani, the
religious families in the area did a great job in keeping things calm during
the crisis in Mali .
19 National Wake – Time & Place (Light in the
Attic)
Album: Walk in Africa
2014 also saw the
thirtieth anniversary of SA indie label, Shifty Records, which meant a lot to
me in my teenage years and early twenties.
One of the founders of Shifty was Ivan Kadey, who had formed National
Wake in the late 70s – a punky reggae band born out of commune in Jo’burg. The band split in ‘82, and two of its members,
brothers Gary and Punka Khoza have died since.
Their sole release was the album, “Walk in Africa ”. Only 500
copies were pressed apparently, but luckily “Light in the Attic” reissued the thing in
2013, I think.
20 Hollie Cook – Twice (B Corbelet, M Pelanconi, G
Toto) (Mr Bongo)
Album: Twice
Totally love
Hollie Cook and Prince Fatty’s reinvention of lovers rock.
21 Lee “Scratch” Perry – Words Re-Vision (Dubplate)
(Upsetter Music)
Album: Back on the controls
The indomitable
Lee Perry was back in the studio in 2014 multiple times it seems – but by far
the best of his forays was orchestrated by English producer Daniel Boyle, who
tried to create the ambient and technological conditions of the Perry’s
legendary Black Ark Studio active between 73 and 79 until Perry supposedly burnt
it down. In the mix there is veteran
drummer Style Scott who died in October 2014.
Scott was part of the Root Radics and on loads of On-U recordings as
part of the Dub Syndicate, the New Age Steppers and Singers and Players. This is Perry's new take on the Congo ’s classic “Words”.
22 Dennis Bovell – Itous (Glitterbeat)
Album: Glitterbeat: Dubs and Versions I
Dennis Bovell’s
stupendous dub version of Tamikrest’s Itous which came out on a new label
called “Glitterbeat”, an off-shoot of the Glitterhouse label, and concentrating
on West African music.
23 Dub Colossus – Family Man (Independent)
Album: Addis To Omega
And speaking of
collisions of African music and dub, Dub Colossus put out what the Financial Times
called “probably the first dub concept album about the banking crisis”. It has less Addis than Kingston , apparently because of high airfares and
visa costs. Dub Colossus did manage to enlist the talents of the Horns of Negas
and singer PJ Higgins – who is just the best …
24 Woima Collective – The Castle (Kindred Spirits)
Album: Frou Frou Roko
German Afro-jazz
funk aces Woima Collective released another great collection of tight, inventive tunes in 2014 called “Frou Frou Roko”.
25 Driss El Maloumi – Intidar (Contre-Jour)
Album: Makan
Morrocan oud player
Driss El Maloumi put out a massively impressive album in 2014 with
two percussionists, one his brother, Said, the other Lahoucine Baquir.
26 Thepporn Petchubon - Fang Jai Viangjan (Soundway)
Album: The Sound of Siam vol 2: Molam & Luk Thung 1970-82
from North-East Thailand
Thepporn Petchubon from Soundways terrific collection of 70s and early 80s
Molam and Luk Thung music from Northeastern Thailand, although I’m not sure
that “Fang Jai Viangjan” would qualify as either molam or luk thung.