13 February 2013, World Cafe

Programme airs on Wed 13 February 2013, 10 - 12pm South African time on Fine Music Radio, 101.3 Fm in the Cape Town area or via live stream http://infant.antfarm.co.za/fmr/fmr-player.asp
FMR's website: http://www.fmr.co.za/

1 Jaojoby – Anareo Vaiavy (Buda Musique)

Eusebe Jaojoby is one of the most popular singers in Madagascar and the Indian Ocean islands, and he helped invent one of its most popular styles in the 1970s – selegy.  It’s a combination of “antsa” music of NW Madagascar (a lively percussive style based on choral church music (polyharmonic choral over highly syncopated multi-rhythmic percussion, mainly handclaps)), guitar styles that are inspired by traditional valiha and marovany playing from other parts of the island, Congolese rhumba, and Western pop styles.  “Anareo Vaiavy” is off his brand new album, “Mila Anao”.
 

2 Solorazaf – Sool repercussions (Acoustic Music Records)

3 Solorazaf – Fleurs delices (Acoustic Music Records)

Sticking in the NW of Madagascar, Montpellier-born but now Madagascar-based guitar wizard Solo Razafindrakoto (AKA Solorazaf) developed his style by linking refined acoustic folk, jazz and blues guitar styles with traditional music from the Madagascan highlands where he grew up.  He plays this on some very fancy bespoke guitars which include a 7^th string for added bass.  He actually started playing in rock groups and sessioned on many recordings in 60s & 70s, playing guitar, bass and drum.  The two tunes are off his new album “Solonaives/Sculptures with GAD”.
 

4 Christine Salem – Camelia (Cobalt)

Christine Salem and her band Salem Tradition are from Reunion, and play a local style called maloya - rooted in slave music, and until a few years ago, the preserve of men.  Playing a kayambe – a flat box-shaped shaker -  she infuses maloya with rhythms from the African mainland and sings in a bunch of languages – Reunion creole, Malagasy, Comoran and Swahili.  Veteran musician Danyel Waro, also known for expanding maloya and for his secessionist ideas, is her musical hero.   “Camelia” is off her new album, “Salem Tradition”.

5 Mokoomba – Yombe (Igloo)

 The musical press seem to unanimous that Mokoomba produced one of the great albums of 2012.  It’s a band hailing from Victoria Falls in northern Zimbabwe which was formed about 12 years ago, and unlike most Zimbabwean bands with an international profile, sing in Tonga.  In fact, Mokoomba has deliberately set out to make pan-African sounding recordings taking in styles from broader Southern Africa region, the Congo and West Africa, and enlisting the production services of Manu Gallo, the bassist from Zap Mama who hails from Cote D’Ivore.

6 Staff Benda Bilili – Mutu Esalaka (The brains are OK) (Crammed Records)

Staff Benda Bilili from Kinshasa also garnered universal praise for their 2012 album, “Bouger le Monde”. 

7 Caetano Veloso – A Bossa Nova E Foda (Facil Brazil)

Last month we listened to a classic tune by a veteran of Brazillian music.  Here is something off his very latest album, “Abrocaco”, produced by his son, Moreno Veloso, together with Pedro Sa. 

8 Tim Maia – Ela Partiu (Luaka Bop) (Beto Cajueiro/Tim Maia)

Like Caetano Veloso, Tim Maia is one of founding members of the Tropicalia movement, but unlike Veloso, Maia burnt himself out by 55 and died in 1998.  After misspending his late teenage years in the NYC, he return to Rio de Janeiro in mid 60s and started infusing American soul, r’n’b and funk into Brazilian music.  Things really took off for him in the 70s, when he starting channeling the music of Sly and Family Stone and Curtis Mayfield.  From the 2012 retrospective collection “Nobody can live forever: the existential soul of Tim Maia”.

9 Dennis Brown – Blessed are the men (the pill) (Auralux / Essential Records)

I’m pleased to report that the great reggae producer of the 70s, Niney the Observer, is having a revival of sorts thanks to, of all people, PJ Harvey.  More about that story next month.  Dennis Brown was one of a number of the singers he often worked with in 70s and early 80s.  From “Sufferation – The Deep Roots of Niney the Observer”
 

10 Willy Mason – Restless Fugative (Polydor)

Wunderkind Willy Mason, who 8 years ago and barely out of his teens was bringing out indecently mature middle-age albums, has returned after a break of four years with another lovely offering – “Carry On”. 
 

11 Anais Mitchell – He did (Wilderland)

I liked quite a lot of Anais Mitchell’s second album “Young man in America” which came out in 2012.  It was dedicated to her father, and has the theme of children-parent relationships running through it.  This is one is especially fetching.  Ricky Lee Jones eat your heart out.

12 Cahalen Morrison and Eli West – Our lady of the tall trees (Cahalen Morrison and Eli West)

Cahalen Morrison and Eli West put an album of guitar, banjo, mandolin and bouzouki interweavings in 2012 and very fine thing it is too.  “Our lady of the tall trees” was written by Morrison.

13 Ryan Francesconi and Mirabai Peart - Kalamatianos (Bella Union)

Guitarist Ryan Francesconi and violist Mirabai Peart, both of whom play in Joanna Newsome’s backing band, have just brought out an album of tunes inspired by their visit to the island of Lesbos off the coast of Greece, called “Road to Polios”.  It has a Mediterranean feel, although I think this piece starts off with a Scandinavian flourish.

14 Ahmad Zahir – Tu Barayem Moqadasi (Pharaway Sounds)

From pre-revolutionary 1970s Afghanistan, Ahmad Zahir, with one of his psychedelic ballads steeped in Bollywood and production values from a new collection on Pharaway Sounds called “The King of Afghan Pop”. Zahir, who was actually the son of the Minister of Health and royal doctor at the time, sings in Dari and Pashto bases his songs on old Persian poems and ballads. 

15  Googoosh –  Digeh Gereyeh Delo Va Nemikoneh (Finders Keepers)

The legendary singer of pre-revolutionary Iran with tune on the magnificent collection brought out by Finders Keepers called “Googoosh”.




















16 Natasha Atlas – Taalet (Zab Spencer Radio Edit Mix) (Six Degrees Music)

Belgium-born Natacha Atlas put out a lovely album about 2 years ago – “Mounqaliba”.  Something off its remixed version, “Mounqaliba – Rising: The Remixes”. Named to chime with the April Spring in Eqypt in 2011.

17 Hannah James & Sam Sweeney– On yonder hill there sits a hare (Root Beat)

Clog dancer and accordionist Hannah James and fiddle, viola, nyckelharpa and Hardanger fiddle player, Sam Sweeney, with their version of “On yonder hill there sits a hare”. You might remember we listened to Sam Lee’s recent version of the same song a few months ago.  Both James and Sweeney play in a number of other bands, Sweeney playing in the famous English trad band, Bellowhead.  It’s off their second album as a duo, “State and Ancientry”. 

18 Hladowski & Joynes – The pretty ploughboy (Bo’ Weavil)

Paring things down even further, the ultra-stark sounds of singer Stephanie Hlodowski and guitarist Chris Joynes off a new album, “The wild wild berry”.

19 Wu Man and Master Musicians from the Silk Route - Ademler Ulugh (people are glorious) (Smithsonian Folkways)

The pipa is a heavily fretted Chinese lute and Wu Man its most famous player.  She’s teamed up with a bunch of the finest Uyghur, Tajik and Hui traditional players to explore the Central Asian roots of the pipa.  The tune features only the Hui singer, Ma Ersa.  It’s from volume 10 of the Smithsonian Folkway Series, “Music of Central Asia”, called “Borderlands”.
 

20 Geomungo Factory – Movement on silence (Synnara)

The Geomungo is a six string traditional Korean zither, either plucked or struck with a short bamboo stick, apparently dating back to the 4^th centuary. Geomungo Factory are a group of four young Korean musicians on a mission to take the geomungo to new and bracing levels of playing.  “Movement on silence” is from their album “Metamorphesis”.

21 Burnt Friedman – Riku Ro (Nonplace)

Berlin-based experimentalist Burnt Friedman off his new album, “Zokulen”.  On this track he plays with Takeshi Nishimoto who’s on the sarod.

22 Adachi Tomomi Royal Chorus _ Prelude & Fugue (Tzadik)               

Fasten your seat for Adachi Tomomi’s punk-style choir and his composition “Prelude & Fugue”.

23 Mari Kvien Brunvoll – Joanna (Jazzland Recordings)

Norwegian singer with many voices.  It’s from a performance recorded at the Clusone Jazz Festival in Italy in 2010, and is off her pretty wonderful new album out on Jazzland Recordings titled with just her name “Mari Kvien Brunvoll”. 

24 Varttina – Tuuterin Tyttaret (The Girls from Tuuteri) (Rockadillo Records)

The great Finnish traditional fusion group, Varttina were 30 years old in 2012, and although they’ve there’ve been a bunch of line up changes over the years, the three piece vocal core of Mari Kaasinen, Susan Aho and Johanna Virtanen has remained intact and firing on all five.  They put out a new album in 2012 called “Utu”. 

25 Elin Furubotn – Stillheten (Ozella)

From Furubotn’s new album “Heilt Nye Vei (Brand New Path)”.

26 Food – Freebonky (Feral Records)

Food is basically Norwegian percussionist Thomas Stronen and English sax player Ian Bellamy. The tune “Freebonky” is off their second album, “Organic and GM Food”, on which they enlisted the help of trumpeter Arve Hendriksen and bassist Mats Eilertsen.

27 Carsten Dahl, Arild Andersen, Jon Christensen – Nariman’s Mood  (Storyville)

Tonal jazz by three giants of the Scandinavian jazz scene Carsten Dahl, Arild Anderson and Jon Christensen, off their 2012 album, “Space is the Place”.

 

 

 

2 January 2013, World Cafe

1 Andra Kouyate and Seke Chi – I Yele (feat. Salimata Kouyate) (Studio Mali)

Andra Koyate plays the ngoni, an ancient fretless lute from West African Bambara tradition. He’s the younger brother of Bassekou Kouyate, who is the probably the world’s most famous ngoni player, having taken the instrument from the background to right up front through virtuosic playing and innovative arrangements (with his band Ngoni Ba).  Andra is no slouch, and he’s also taken ngoni-fronted arrangements to a new place.  His wonderful backing band includes balafon ace Lassana Diabate.  “I Yele” has some stunning interplay between ngoni and kalabash and features the jelimousso (or woman griot), Salimata Kouyate.

2 Super Djata de Bamako – Konadou (Musique Mondiale)

Super Djata de Bamako is one of the great innovating groups in the Bambara tradition of southern and central Mali.  They started in the 1969 and peaked in the 1980s, incorporating rhythms and melodies from the Wassoulou region. At the centre of the band was Zani Diabate, a guitarist, percussionist, kora and balafon player.  He died in at the end of 2010. “Konadou” is from a classic release in 1983, “Super Djata de Bamako Volume 2”. 

3 Zani Diabate & Les Heritiers - Ni Zani Mana (Sterns)

From Zani Diabate’s last release, “Tientalaw”, recorded just before he died and which got a European release this year.  He’s backed by “Les Heritiers”, “The Heirs”, made up this own son, the sons of the singers from Super Djata, Flani Sangare and Alou Fane. 

4 Ballake Sissoko – Badjourou (No Format/Universal)

Ballake Sissoko is one of the great kora players and composers in other musical tradition of the southern Mali and surrounds, the Mandinka.  He’s played with Toumani Diabate in the past, but his last couple of albums have been with the French cellist, Vincent Segal.  His latest is “At Peace”.  Accompanying him on “Badjourou” is Segal, Aboubcar Diabate on 12 string guitar, Moussa Diabate on guitar and Fassery Diabate on balafon.

5 Vinicius Cantuaria – Purus (Naïve)

The ultra-relaxed samba-based sounds of Brazilian singer/songwriter Vinicius Cantuaria off his album “Indio de Apartamento”.   

6 Caetano Veloso – O Leaozinho (Nonesuch)

Cantuaria is often compared that veteran of Brazillian music, singer/songwriter Caetano Veloso, who started out in Tropicalia movement of the 1960s and was forced into exile in the 70s by the military government in Brazil.  This is a stripped down version of one of his all-time classic songs from a concert he gave with David Byrne at the Carnegie Hall in 2004, that was only released this year.

7 Cachimbinho & Geraldo Mousiho --- Se trava a Lingua e assim (Beverly)

Cachimbinho and Geraldo Mousiho play a Brazilian style called “Coco-de embolada”: two tambourines and two voices trying to out-compete each other with speed, word plays and tougue-twisting dexterity, much like rap.  It’s from a record called “Cantar Coco e Assim”.

8 Leilia – A voz das EVAS (Fol Musica)

Coco de embolada I’m pretty sure has strong affinities with tambourine-based peasant music of southern Europe, often played by solely by women.  Leilia are a Spanish group that’s been performing for 20 years preserving and popularizing songs the Galician oral tradition.  This is off their album “Consentimento”. 

9 Yasmin Levy – Shoef K’mo Eved (World Village)

Isreali singer Yasmin Levy is known for combining Sephardic music sung in Ladino with flamenco, tango and fado.  On new her album, “Libertad”, she’s introduced more middle-eastern sounds, thanks to a wonderful Istanbul-based string section.  That veteran of the restrained world music production, Ben Mendelson, and I only used that term “world music” because he helped invent it, does the knob twiddling and mic placement on “Libertad”. 

10 John Zorn - Back to Bokhara (Tzadik)

John Zorn has been extended the oeuvre of Jewish music in all kinds of directions and for decades now – as the owner of the Tzadik label, a composer and through his own sax playing.  He recently released a set of compositions called “The Concealed Esoteric Secrets and Hidden Traditions of the East” for a combination of the Nova Quartet, a piano and vibe lead quartet, with cellist Erik Friedlander and violinist Mark Feldman. 

11 Elina Duni Quartet – Ere pranverore  (ECM)

Albanian born and raised and now Swiss-based, singer, Elina Duni, with her quartet creating the most amazing fusion of impressionistic and subtly detailed jazz with music from her home country.  It’s from her very fine new album just out on ECM, “Matane Malit”.

12 Otaak Band – Ogbil (Self-released)

The Bejan people from eastern Sudan, parts of Eritrea and southern Egypt are not well known, and neither is their music and I doubt Ahmed Said Abuamna from Sudan and his American collaborator, Miguel Merino, together Otaak Band, will change that – but in an ideal world, they would.  Abuamna plays a masankop, an ancient type of lyre related to the Ethiopian krar.  But it’s his singing that really fantastic.  Miguel Merino is on bass and percussion.  Their album, “Bejawiya”, is self released.  “Ogbil” is a love song: “O god, let me see this beautiful creature”.

13 Krar Collective – Ende Eyerusalem (Riverboat)

Speaking of the Ethiopian krar, the London-based trio, Krar Collective started out playing at weddings in the Ethiopian community and over the years developed their own style driven by electric, acoustic and bass krars.

14 Dub Colossus – Tringo (Real World Music)

We’ve played Dub Colossus on this programme many times.  Some months back part of the Ethiopian core of the band released an EP of undubbed and unplugged azmari versions of stuff from “Addis through the looking glass”.  An azmari  is a traditional Ethiopian singer-musician, like the griots of West Africa.  “Tringo” features the massinqo (an old single stringed bowed lute), krar and handclaps.

15 King Tubby – 95 North Dub (Roots Records)

A King Tubby and Scientist mix of a Jah Thomas produced rhythm track made by the Roots Radics Band and recorded some time in the early 80s.  It’s out on the collection “King Tubby’s Classics: The Lost Midnight Rock Dubs Chapter 3”.

16 Delroy Butler – Oppression (Pressure Sounds)

Speaking of lost dubs, 2012 saw another effort by Pressure Sounds to make rare recordings from Lee Perry’s sessions in the Black Ark available to the public.  This year’s collection is called “The Sound Doctor: Black Ark singles and Dub Plates (1972-1978)”. 

17 Ondatropica – Libya (Soundway)

Last month we heard a tune by the Columbian collective, Ondatropica, which recorded an epic tribute to classic Afro-Caribbean music of the 60s and 70s in the historic Discos Fuentes studio.  “Libya” is from the same collection also called “Ondatropica”.

18 Quantic y Su Conjunto Los Miticos De Ritmo – Cumbia de Mochilla (Strut)

Will Holland aka Quantic was one of the producers behind the Ondatropica project.  He’s pretty active in the Columbia cumbia revival scene.  This is something he put together for a 2011 collection of gritty tropical dance sounds compiled by the DJ collective, Sofrito, called “Tropical Discoteque”. 

19 Hot 8 Brass Band – Ghost Town (Tru Thoughts)   --- Jerry Dammers

One of the relatively new stalwarts New Orleans marching brass band music with the tune that the British ska band, the Specials, put out in the 80s”.

20 Mama Rosin – Parait Qu’y a Pas l’Temps (Moi J’Connais/Proper)

 

Mama Rosin is a Swiss trio living in NYC into basically punking-up Louisianan cajun and zydeco music.  They’ve got noisier and more roll n rockish on their new album produced by punky-blues guy, Jon Spencer, called “Bye bye Bayou”. 

21 Iris DeMent – The Kingdom has already come (Flariella)

Iris DeMent has come up with one of my favourite Americana albums of 2012 called “Sing the Delta” – her first one of original songs in 16 years.  She plays some wonderful rolling piano on this track. 

22 Kelly Joe Phelps – Goodbye Sorrow (Black Hen/Planet)

Another favorite of 2012 is Kelly Joe Phelps’s “Brother Sinner and the Whale” – his stripped-down, voice and guitar only mono recordings of traditional and self-penned gospel songs based on the Old Testament Book of Jonah. 

23 Koo Nimo – Owusuwaa (Riverboat/World Music Network)

In his late 70s now, Ghanaian Koo Nima, one of the last veterans of Highlife and Palm Wine music wrote this beautiful song for his wife, who died in 1973 shortly after giving birth to and losing a child.  It comes off an album recorded recently by Ben Mandelson in Nimo’s backyard in Accra.  It’s called “Highlife Roots Revival”.

24 Peacocks International – Awu Adada Mi (EMI)

Peacocks International Band where a Nigerian band active in the 70s and heavily influences by Ghanaian Highlife.  Their leader, Raphael Amarabem had spent quite a few years playing in Ghana.  They were pretty popular in both Ghana and Nigeria – which might explain the “international” part of their name.  They also sang in a bunch of different languages: English, Efik, Ewe and Igbo.

25 Tunji Oyelana – Omoba D’eru Ri (Soundway)

Tunji Oyelana is an institution in Nigeria, a bit like Fela Kuti although not as famous.  They actually both come from the same hometown.  Oyelana’s been actor, bandleader, singer-songwriter, dramatist, comedian and academic.  Soundway have put out a double album respective of his music called “A Nigerian Retropective 1966-79”. 

26 Bellowhead – Old dun Cow (Navigator)

Having peddled big-band interpretations of the English folk canon for around 10 years now, for their fourth album called “Broadside”, Bellowhead ratchet up the amps and deliver even punchier sound than usual.  I think this might actually be their best album. 

27 The Big Eyes Family Players – Farewell Lovely Nancy (Static Caravan)

Scottish singer James Yorkston with Sheffield-based experimental instrumental band off their second collective effort called “Folk Songs II”. “Farewell Lovely Nancy” was first collected by Cecil Sharp and published as sheet music in 1909.  There’re a bunch guest singers in there too.      

28 Eivind Aarset – The Beauty of Decay (ECM)

Norwegian guitarist Eivind Aarset is aided and abetted by Jan Bang on samples, dictaphone and programming.  Aarset builds on trumpeter Jon Hassell’s sort-of ambient, global fusion sound – what Hassell calls “Fourth World”.  “The Beauty of Decay” is off Aarset’s first headline album for ECM, called “Dream Logic” which is just out.

2 January 2013, World Cafe

1 Andra Kouyate and Seke Chi – I Yele (feat. Salimata Kouyate) (Studio Mali)

Andra Koyate plays the ngoni, an ancient fretless lute from West African Bambara tradition. He’s the younger brother of Bassekou Kouyate, who is the probably the world’s most famous ngoni player, having taken the instrument from the background to right up front through virtuosic playing and innovative arrangements (with his band Ngoni Ba).  Andra is no slouch, and he’s also taken ngoni-fronted arrangements to a new place.  His wonderful backing band includes balafon ace Lassana Diabate.  “I Yele” has some stunning interplay between ngoni and kalabash and features the jelimousso (or woman griot), Salimata Kouyate.

2 Super Djata de Bamako – Konadou (Musique Mondiale)

Super Djata de Bamako is one of the great innovating groups in the Bambara tradition of southern and central Mali.  They started in the 1969 and peaked in the 1980s, incorporating rhythms and melodies from the Wassoulou region. At the centre of the band was Zani Diabate, a guitarist, percussionist, kora and balafon player.  He died in at the end of 2010. “Konadou” is from a classic release in 1983, “Super Djata de Bamako Volume 2”. 

3 Zani Diabate & Les Heritiers - Ni Zani Mana (Sterns)

From Zani Diabate’s last release, “Tientalaw”, recorded just before he died and which got a European release this year.  He’s backed by “Les Heritiers”, “The Heirs”, made up this own son, the sons of the singers from Super Djata, Flani Sangare and Alou Fane. 

4 Ballake Sissoko – Badjourou (No Format/Universal)

Ballake Sissoko is one of the great kora players and composers in other musical tradition of the southern Mali and surrounds, the Mandinka.  He’s played with Toumani Diabate in the past, but his last couple of albums have been with the French cellist, Vincent Segal.  His latest is “At Peace”.  Accompanying him on “Badjourou” is Segal, Aboubcar Diabate on 12 string guitar, Moussa Diabate on guitar and Fassery Diabate on balafon.

5 Vinicius Cantuaria – Purus (Naïve)

The ultra-relaxed samba-based sounds of Brazilian singer/songwriter Vinicius Cantuaria off his album “Indio de Apartamento”.   

6 Caetano Veloso – O Leaozinho (Nonesuch)

Cantuaria is often compared that veteran of Brazillian music, singer/songwriter Caetano Veloso, who started out in Tropicalia movement of the 1960s and was forced into exile in the 70s by the military government in Brazil.  This is a stripped down version of one of his all-time classic songs from a concert he gave with David Byrne at the Carnegie Hall in 2004, that was only released this year.

7 Cachimbinho & Geraldo Mousiho --- Se trava a Lingua e assim (Beverly)

Cachimbinho and Geraldo Mousiho play a Brazilian style called “Coco-de embolada”: two tambourines and two voices trying to out-compete each other with speed, word plays and tougue-twisting dexterity, much like rap.  It’s from a record called “Cantar Coco e Assim”.

8 Leilia – A voz das EVAS (Fol Musica)

Coco de embolada I’m pretty sure has strong affinities with tambourine-based peasant music of southern Europe, often played by solely by women.  Leilia are a Spanish group that’s been performing for 20 years preserving and popularizing songs the Galician oral tradition.  This is off their album “Consentimento”. 

9 Yasmin Levy – Shoef K’mo Eved (World Village)

Isreali singer Yasmin Levy is known for combining Sephardic music sung in Ladino with flamenco, tango and fado.  On new her album, “Libertad”, she’s introduced more middle-eastern sounds, thanks to a wonderful Istanbul-based string section.  That veteran of the restrained world music production, Ben Mendelson, and I only used that term “world music” because he helped invent it, does the knob twiddling and mic placement on “Libertad”. 

10 John Zorn - Back to Bokhara (Tzadik)

John Zorn has been extended the oeuvre of Jewish music in all kinds of directions and for decades now – as the owner of the Tzadik label, a composer and through his own sax playing.  He recently released a set of compositions called “The Concealed Esoteric Secrets and Hidden Traditions of the East” for a combination of the Nova Quartet, a piano and vibe lead quartet, with cellist Erik Friedlander and violinist Mark Feldman. 

11 Elina Duni Quartet – Ere pranverore  (ECM)

Albanian born and raised and now Swiss-based, singer, Elina Duni, with her quartet creating the most amazing fusion of impressionistic and subtly detailed jazz with music from her home country.  It’s from her very fine new album just out on ECM, “Matane Malit”.

12 Otaak Band – Ogbil (Self-released)

The Bejan people from eastern Sudan, parts of Eritrea and southern Egypt are not well known, and neither is their music and I doubt Ahmed Said Abuamna from Sudan and his American collaborator, Miguel Merino, together Otaak Band, will change that – but in an ideal world, they would.  Abuamna plays a masankop, an ancient type of lyre related to the Ethiopian krar.  But it’s his singing that really fantastic.  Miguel Merino is on bass and percussion.  Their album, “Bejawiya”, is self released.  “Ogbil” is a love song: “O god, let me see this beautiful creature”.

13 Krar Collective – Ende Eyerusalem (Riverboat)

Speaking of the Ethiopian krar, the London-based trio, Krar Collective started out playing at weddings in the Ethiopian community and over the years developed their own style driven by electric, acoustic and bass krars.

14 Dub Colossus – Tringo (Real World Music)

We’ve played Dub Colossus on this programme many times.  Some months back part of the Ethiopian core of the band released an EP of undubbed and unplugged azmari versions of stuff from “Addis through the looking glass”.  An azmari  is a traditional Ethiopian singer-musician, like the griots of West Africa.  “Tringo” features the massinqo (an old single stringed bowed lute), krar and handclaps.

15 King Tubby – 95 North Dub (Roots Records)

A King Tubby and Scientist mix of a Jah Thomas produced rhythm track made by the Roots Radics Band and recorded some time in the early 80s.  It’s out on the collection “King Tubby’s Classics: The Lost Midnight Rock Dubs Chapter 3”.

16 Delroy Butler – Oppression (Pressure Sounds)

Speaking of lost dubs, 2012 saw another effort by Pressure Sounds to make rare recordings from Lee Perry’s sessions in the Black Ark available to the public.  This year’s collection is called “The Sound Doctor: Black Ark singles and Dub Plates (1972-1978)”. 

17 Ondatropica – Libya (Soundway)

Last month we heard a tune by the Columbian collective, Ondatropica, which recorded an epic tribute to classic Afro-Caribbean music of the 60s and 70s in the historic Discos Fuentes studio.  “Libya” is from the same collection also called “Ondatropica”.

18 Quantic y Su Conjunto Los Miticos De Ritmo – Cumbia de Mochilla (Strut)

Will Holland aka Quantic was one of the producers behind the Ondatropica project.  He’s pretty active in the Columbia cumbia revival scene.  This is something he put together for a 2011 collection of gritty tropical dance sounds compiled by the DJ collective, Sofrito, called “Tropical Discoteque”. 

19 Hot 8 Brass Band – Ghost Town (Tru Thoughts)   --- Jerry Dammers

One of the relatively new stalwarts New Orleans marching brass band music with the tune that the British ska band, the Specials, put out in the 80s”.

20 Mama Rosin – Parait Qu’y a Pas l’Temps (Moi J’Connais/Proper)

 

Mama Rosin is a Swiss trio living in NYC into basically punking-up Louisianan cajun and zydeco music.  They’ve got noisier and more roll n rockish on their new album produced by punky-blues guy, Jon Spencer, called “Bye bye Bayou”. 

21 Iris DeMent – The Kingdom has already come (Flariella)

Iris DeMent has come up with one of my favourite Americana albums of 2012 called “Sing the Delta” – her first one of original songs in 16 years.  She plays some wonderful rolling piano on this track. 

22 Kelly Joe Phelps – Goodbye Sorrow (Black Hen/Planet)

Another favorite of 2012 is Kelly Joe Phelps’s “Brother Sinner and the Whale” – his stripped-down, voice and guitar only mono recordings of traditional and self-penned gospel songs based on the Old Testament Book of Jonah. 

23 Koo Nimo – Owusuwaa (Riverboat/World Music Network)

In his late 70s now, Ghanaian Koo Nima, one of the last veterans of Highlife and Palm Wine music wrote this beautiful song for his wife, who died in 1973 shortly after giving birth to and losing a child.  It comes off an album recorded recently by Ben Mandelson in Nimo’s backyard in Accra.  It’s called “Highlife Roots Revival”.

24 Peacocks International – Awu Adada Mi (EMI)

Peacocks International Band where a Nigerian band active in the 70s and heavily influences by Ghanaian Highlife.  Their leader, Raphael Amarabem had spent quite a few years playing in Ghana.  They were pretty popular in both Ghana and Nigeria – which might explain the “international” part of their name.  They also sang in a bunch of different languages: English, Efik, Ewe and Igbo.

25 Tunji Oyelana – Omoba D’eru Ri (Soundway)

Tunji Oyelana is an institution in Nigeria, a bit like Fela Kuti although not as famous.  They actually both come from the same hometown.  Oyelana’s been actor, bandleader, singer-songwriter, dramatist, comedian and academic.  Soundway have put out a double album respective of his music called “A Nigerian Retropective 1966-79”. 

26 Bellowhead – Old dun Cow (Navigator)

Having peddled big-band interpretations of the English folk canon for around 10 years now, for their fourth album called “Broadside”, Bellowhead ratchet up the amps and deliver even punchier sound than usual.  I think this might actually be their best album. 

27 The Big Eyes Family Players – Farewell Lovely Nancy (Static Caravan)

Scottish singer James Yorkston with Sheffield-based experimental instrumental band off their second collective effort called “Folk Songs II”. “Farewell Lovely Nancy” was first collected by Cecil Sharp and published as sheet music in 1909.  There’re a bunch guest singers in there too.      

28 Eivind Aarset – The Beauty of Decay (ECM)

Norwegian guitarist Eivind Aarset is aided and abetted by Jan Bang on samples, dictaphone and programming.  Aarset builds on trumpeter Jon Hassell’s sort-of ambient, global fusion sound – what Hassell calls “Fourth World”.  “The Beauty of Decay” is off Aarset’s first headline album for ECM, called “Dream Logic” which is just out.

5 December 2012, World Cafe

1 The Souljazz Orchestra – Conquering Lion (Strut)

Hailing from Ottawa, the six piece The Souljazz Orchestra get their warm fuzzy retro sound by recording on an old Tascam 8-track tape machine bought from the Royal Canadian Mounted Police’s stash of surplus stock.  Their new album, “Solidarity”, steals liberally from the Caribbean, West Africa and Brazil and the US.  “Conquering Lion” is a regal reggae brass celebration carried away on the sharpest of funk undercarriages.

2 Chillo Trujillo – Gran Pecador (Electric Cowbell Records)

Sounding a lot like a natural extension of Peruvian cumbia fusion called chichi, Chillo Trujijo is from the Valparaiso Region of Chile.  In “Gran Pecador”, the title track of their new album, they combine forces with the Andean folk and cumbia collective, Banda Conmocion. 

3 Ondotropica – Locomotora Borracha (Soundway)

Earlier this year, this large collective, both veterans (10 of the members are over 70) and newbies, came to together in the historical Discos Fuentes studios in Bogota under the direction of Mario Galeano and Will Holland.  (We sampled Will Holland’s sublime collection of old style Columbian cumbia at the beginning of this year.  Check out the January 2013 show for a smaller project of his).  What came out is an epic celebration of classic Columbian Afro-Caribbean sounds.  Their album is also called “Ondotropica”.

4 Mexican Institute of Sound – Es-Toy (Nacional Records)

Heading off over the Caribbean, Camilo Lara, a Mexico City based DJ, is another great fusionist, although he patches together his creations electronically using samples –  usually classic Mexican sounds from anytime between the 20s and 60s.  “Es-toy” comes from a recent album called “Politico”.

5 Prince Fatty – For me you are (Mr Bongo)

Prince Fatty aka Mike Pelanconi with the wonderful Hollie Cook.  They’re doing the old Yiddish song that the Andrew Sisters made famous, “Bei Mir Bist Du Schon” (To Me You're Beautiful").  The song was originally written by Jacob Jacobs and Sholom Secunda for the 1932 Yiddish comedy musical, “I Would If I Could”.  It’s from Prince Fatty’s new album “Prince Fatty versus the Drunken Gambler.”

6 Dennis Bovell – Cross to bear (Pressure Sounds)

You might know Dennis Bovell as the bass player on and producer of probably all of Linton Kwezi Johnson’s albums.  But he’s also put out a bunch of classic dub stuff under the name Blackbeard.  Luckily for us his had occasion recently to dig into his archive of unfinished work having been forbidden from playing bass following neck surgery.  He’s come up with some awesome dubs which he put together in the Mad Professor’s studio – very much in the old school stylee.  The new collection is called “Mek it run” out on Pressure Sounds, the British label that specializes in this sort of thing.

7 Lo’Jo – La Marseillaise en Creole (World Village)

French global band Lo’Jo, who’ve been going for 30 years now and who actually graced our shores in the late 90s, calling for multiculturalism in France. It’s from their new album, “Cinema el Mundo”.  Lo’Jo is based in the countryside near Angers and is keyboardist, Denis Paen, two Algerian sisters, Yamina and Nadia Nid El Mourid, and violinist Richard Bourreau.  

8 Banda Olifante – Spanish Town featuring Matt Darriau (Felmay)

Banda Olifante is a 15 piece brass band from Romagna around Bologna carrying on the Italian Banda tradition but cutting it with all kind of styles.  On their latest, “10 000 Migrants”, they combine with a number great guest players, including, on “Spanish Town”, Matt Darriau, the alto saxophonist from the Klazmatics and the Paradox Trio.

9 Els Berros de la Cort – Aissi cum (Nu Folk)

Els Berros de la Cort are from Catalonia and play a bunch of double reed instruments and percussion in a mélange of medieval and peasant music.  “Los nostres vices e pecats” (Our vices and sins) is their latest and it’s built on Catalan texts from sometime between the 12^th and 14^th centuries. “Aissi cum” is a recipe for medieval Viagra.

10 Debo Band – Yefeker Wagengene (Sub Pop)

Debo Band off their debut album with some klezmer infused Ethiojazz.  Sousaphonist Arik Grier and fiddler Kaethe Hostetter have actually played in klezmer bands. 

11 Bester Quartet – The Magic Casket (Tzadik)

The Bester Quartet used to be called the The Cracow Klezmer Band and they’ve always delivered a mean, klezmer infused virtuosic take on Neuva Tango.  “The Magic Casket” is off their new CD, Metamorpheses.  Jaroslaw Bester is the lead composer and plays the bayan, and relation to the bandoneon.  They’re double bayan band – the second one is by Oleg Dyyak who also plays the clarinet and duduk. 

12 Rapunzel & Sedayne – The Innocent Hare (Folk Police)

Repunzel and Sedayne are English duo playing traditional music.  “The Innocent Hare” is from that fine collection we sampled last month “Weirdlore: Notes from the Folk Underground.”

13 Sam Lee – On yonder hill (The Nest Collective)

Londoner Sam Lee has come up one of great English folk albums of the year, “Ground of its own”, in which he takes fairly obscure songs from the folk canon –– and envelopes them in stikingly unfamilar arrangements. He is an enthuiastic song collector, which believe or not, is still something someone can do in Blighty and there abouts apparently amongst Romany Gypsy and Irish Traveller communities.  “On yonder hill” features a hang sounding a lot like a prepared piano and muted trumpet.  The austere atmosphere that he’s able to conjure up probably has a lot to do with his tutorlage with the great veteran Scottish singer, Stanley Robertson.

Check out brilliant interview with him on: http://www.propergandaonline.com/propermusic-com-podcast-42-sam-lee/

And his website: http://samleesong.co.uk/about-sam/

14 Emily Portman – Hatchling (Cadiz Music)

The title track of Northumberland-based singer Emily Portman’s new album.  One of her tricks is write new songs which sound like they’ve been handed down orally from centuries ago.  Rachel Newton, the harpist we listened to last month, is in her backing trio. 

15 Celestine Ukwu and His Philosophers National – Ejim Nk’onye (Philips Nigeria)

We played the late great Nigerian highlife guitarist singer and composer Celestine Ukwu on this show a few years ago. Ejim Nk’onye is the title track from a mid 70s album from him sounding fairly battered.  Apparently he was the first to introduce pedal steel into Nigerian music – before even King Sunny Ade. 

16 Janka Nabay & The Bubu Gang – Kill me with bongo (Luaka Bop)

Bubu is an old style of music from Sierra Leone not heard much outside of the country.  That was until one of the stars of scene, Janka Nabay, who moved to New York to escape war. Luckily he managed to team up with a bunch of hipster musician types in Brooklyn while working as a fry cook.  They’re calling themselves Janka Nabay & the Bubu Gang and what they’ve come up to me sounds at times like a grittier version of the kind of electro funk the Tom Tom Club were peddling in the 80s – and that is not a half bad thing.

17 Staff Benda Bilili – Osali Mabe (Crammed Discs)

Darlings of the world music press at the moment, Staff Benda Bilili from Kinshasa off their new album, “Bouger le Monde”.  The press is not always wrong – this is a good one.

18 Ba Cissoko – Nimissa (Cristal Records)

Ba Cissoko is a fabulous kora player from Guinea with a penchant to stick electric pickups on his instrument and wigging out to some outrageous kora wah-wah and feed back.  “Nimissa”, the title track off his new album, does not escape.  Check out the frenetic pace and dense over the top horn arrangements on this. 

19 Preservation Hall Jazz Band featuring My Morning Jacket, etc – St. James Infirmary (Rounder)

The Preservation Hall Jazz Band, that great institution of New Orleans jazz parade music, turned 50 a few months ago.  One of the things they did to commenorate is throw a concert at the Carnegie Hall with a stellar cast of guests.  We’ve listened to a version of St James Infirmary they did with Jim James from My Morning Jacket a while back.  This one has the whole of My Morning Jacket, plus Trombone Shorty thrown in there.   The album’s called St Peter and 57^th St – Carnegie Hall’s address.

20 Shovels and Rope – Birmingham (Dualtone)

Cary Ann Heart and Michael Trent call themselves Shovels and Rope.  I’m not sure where they’re from originally but they seem to have paid their dues in Birmingham, Alabama, if this song off their album “O’ be joyful” is anything to go by.

21 Hurray for the Riff Raff – Ramblin’ Gal (Loose)

Alynda Lee Segarra from the band “Hurray for the Riff Raff” is originally from the Bronx but has been holed up in New Orleans for a while now.  “Rambin Gal” is apparently Segarra’s answer to Hazel Dickens’ “Rambin Woman”, in turn an answer Hank Williams’ “Rambin’ Man”.  It’s from Hurray for the Riff Raff’s fine new album “Look out mamma”.

22 Dicky Williams – Tee-Na-Na (Ace Records)

New Orleans produced a bunch of classic rock and roll in the 50s and 60s, quite a bit of it put out on Johnny Vincent’s label Ace Records, which was based in Jackson, Mississippi.  Dicky Williams came up with one of the most well known of these songs, “Tee-Na-Na”.  You can find that on the recently released “The Ace Story Volume 4”.

23 Rangda – Majnun (Drag City)

Carrying on in the fine tradition of rock star fascination with North Africa, Rangda has come up a math rock version of desert psychedelia. Rangda are Sir Richard Bishop, the great enthological forger and guitarist from the Sun City Girls, Ben Chasny from Six Organs of Admittance and Comets on Fire, and drummer Chris Corsano who seems to be able to do anything.

24 Ochestre National de Barbes – Mariama (Samarkand) --- track 12

One of the attractions for rockers of North Africa is surely is gnawa, the hypnotic trancey music the Moroccan Sufi brotherhoods.  Paris based Orchestre National de Barbes, a pretty well known longish standing fusion band drawn from across North Africa definitely like gnawa fusion.  But Aziz Sahmaoui wrote this unadorned gnawa piece for their 2000 album, “Poulina”. 

25 Mohammed Rouicha - ? (Masterone)

Mohammed Rouicha died in January of this year at the age of 62. He’s extremely well known in Morocco and plays a style called Izlan. Largely sung in the Berber language Amazigh, it’s the music of urban migrants from rural villages of the Middle Atlas - although this is a suped-up Izlan.  He’s turned the traditional accompanying instrument, the three-string loutar, into a solo instrument by adding a fourth string and spending 15 years developing his style before daring to record any of it, and absorbed a bunch other regional styles.